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Tripp’s problem is not that he can’t write – he can’t stop
writing. The manuscript has waffled on for hundreds of pages and he can’t seem
to grasp hold of the narrative. He has a body of work, but even he struggles to
call it a ‘novel’.
The plot takes us around a weekend from hell, in which Tripp
picks up his agent who is hungry for the promised manuscript, babysits a
troubled student, accidently bumps off his lover’s dog, and tries to avoid
sleeping with his lodger. It is all excellently written and played, and the
performance by a pre-Spiderman Tobey Maguire of the depressed and dramatic
student James Leer who appears to be the next Big Thing, is one to be noted.
The screenplay has a great charm and memorable scenes, in
what could have been played out as a Fawlty Towers-type farce. Kloves manages
to get us to like both the pot-smoking Tripp and the almost catatonic Leer as
they act disgracefully. One of my favourite films and one which every writer
with an interest in great characters should make time to watch.
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FILM is a series of posts looking at the representation of writers in movies.
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